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    Foot Switchers

    i used the MFC with my original AXEFX before the MFC came out and I started using it with the AXEII. The MFC is a better unit. foot print and over aesthetic.

    wildmorphlaw 06-12-2024, 12:14 AM Go to last post

    Foot Switchers

    If you're referring to the VL Ground Control Pro, I believe that is just as big as the MFC. Don't forget some of these aftermarket midi controllers may

    Voxguy76 06-11-2024, 01:17 PM Go to last post

    Foot Switchers

    Excellent response. Thank you.
    I just feel i am not using the MFC-101 to it's full potential.
    It's foot print is fairly big.
    I just

    ER-2 06-11-2024, 04:38 AM Go to last post

    Foot Switchers

    The MFC-101 can be used to switch presets and scenes. You don’t have to use it to turn effects on or off. Using the native Fractal MFC-101 should

    Voxguy76 06-11-2024, 03:38 AM Go to last post

    Album Intro Loop?

    So when I saw them playing in Toronto on that tour I recall my seats being near Dallas. I want to say he was on the main stage, and the band was on that

    Voxguy76 06-11-2024, 03:26 AM Go to last post
  • Articles RSS Feed

    by Published on 01-01-2012 08:44 PM

    Is mastering music and languages just for the young? Not if you know how to teach older brains


    Can old dogs learn new tricks? Developmental psychologists have long said no. The so-called "critical periods" theory of learning says that if you want to learn something, start early in life. If that were true, there would be little point in adults trying to acquire new skills—and truckloads
    Published on 11-06-2009 06:00 AM
    1. Categories:
    2. Tabs

    Guitars, amps, FX - they're all here!
    By Joe Bosso, Wed 14 Oct 2009, 12:42 pm UTC

    LINK: http://www.musicradar.com/news/guita...evealed-223342

    U2's 360° Tour
    is a massive operation alright, and it wouldn't be an understatement to call it The Greatest Show On Earth - or anywhere else for that matter.

    Named after a stage configuration called The Claw - a towering, robotic-looking structure said to be the largest (and costliest) concert setting in rock 'n' roll history, one that offers stadium audiences a panoramic view of the band - it's a long way from "three chords and the truth."
    It's five hours before showtime inside the vast Giants Stadium. The field and seats of the 80,000 capacity venue are empty, but I'm suddenly jolted by an overwhelming blast of music produced by three musicians on stage who proceed to pump out the second-best version of City Of Blinding Lights I've ever heard.
    Were they The Edge, Adam Clayton and Larry Mullen Jr, they might take their rendition all the way home, but the trio I'm listening to are their techs, Dallas Schoo, Stuart Morgan and Sam O' Sullivan, respectively.
    Still, it's uncanny how much they sound like their bosses. Schoo switches guitars and tweaks some settings on Edge's pedalboard. A few more guitar changes - a Rickenbacker, a Music Rising Les Paul, a black Stratocaster - and song snatches follow (bits of Ticket To Ride, The Rolling Stones' Angie and - WTF? - Stairway To Heaven).